梧桐文学

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References

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Chapter1:Pastsounds

&ailsofthesoundoftheearlyuniversemaybefoup:.astrinia.edu~dmw8fBBA_webiml〉;thehistoryofacousticsisdetailedinDaytonceMiller,AalHistoryoftheSdtotheBeginnihtury(Ma,1935)a.Beyer,SoundsofOurTimes:TwoHundredYearsofAcoustiger,1999).Furtherhistoricalmaterialisin:DavidHendy,Noise:AHumanHistoryofSoundandListening(ProfileBooks,2014).TheacousticsofEpidaurusareexplaitp:.nature.news2007070319fullnews070319-16.html〉.ThemostreteditionofR.MurraySchafer’sclassisoundscapesisSoundscape:OurSonieuningoftheWorld(DestinyBooks,1994).TheAttalimaterialisfromMarkM.Smith(ed.)HearingHistory:AReader(UyiaPress,2004).Alain’sclassicwork(trainThom),isVillageBells:TheCultureoftheSeheuryFrentryside(biaUyPress,1998).

‘simultaneouslyaphysientandaergthate’,EmilyThompson,TheSoundsodernity:ArchitecturalAcoustidtheCultureofListeninginAmeriITPress,2002),p.1.

Chapter2:Thenatureofsound

MostofthematerialheremaybefoundinTh,RichardF.Moore,andPaulA.Wheeler,TheSd(AddisonWesley,2001)andDanielR.Raichel,TheSdApplisofAcoustiger,2006).MostculturalreferencesarefromJoheSoundStudiesReader(Routledge,2012).

Chapter3:Soundsinharmony

MaterialfromthischapterisfromdTh,ThePhysiusistruments(Springer,2008),DahisisYourBrainonMusiderstandingaHumalanticBooks,2008),JohnPoorks:AListener’sGuidetoHarmony,Keys,BrokenChords,PerfectPitdtheSecretsofaGoodTuicularBooks,2010),aaylor,TheABGuidetoMusicTheory(OxfordUyPress,2013).

Chapter4:Hearingsound

InformationinthischapterislargelyfromDavidHowardandJamieAngus,AcoustidPsychoacoustics(FocalPress,2000),LawrenceJ.Raphael,GloriaJ.Borden,andKatherineS.Harris,SpeecePrimer(Lippins&Wilkins,2003),WilliamYost,Fuals:AnIntrodu(BRILL,2013),andH.ZwidH.Fastl,Psychoacoustics:FadMer,2006).TheBarthesmaterialisfromBruceR.Smith’sTheAcoustilaotheO-FaiversityofChicagoPress,2ion,1999).

‘Myfeelingisthataure…’,BrandoicTerritories:SounddEverydayLife(,2010),p.xvi.

‘theridulationsofauditorymaterial…’,LaBelle,AcousticTerritories,p.xxi.

‘Souionalgeography…’,LaBelle,AcousticTerritories,p.xxv.

&iworldwidehearinglossarefromtheWorldHealthanization’s‘DeafnessandHearingLoss’factsheet(number300),UpdatedMarch2015.Itbefoundat〈ho.isheetsfs300en〉.

Chapter5:Eleid

TeologicaldetailsaretobefoundinGlenBallou,ElectroacousticDevices:MiesandLoudspeakers(FocalPress,2009),F.AltoandKenasterHandbookofAcoustics(TabEleics,2009).Thisbook,ayFries,DigitalAudioEssentials(O’ReillyMedia,2005),alsuidaoricalmaterialisfrMilingSouoryofReusita,2elatt,TheFabulousPhonograph,1877–1977(Cassell,2ion,1977).

&heeffectssonperformanRobertPhilip,PerfMusitheAge(YaleUyPress,2004)andMarkKatz,gSound:HowTeologyHasgedMusic(iaUyPress,2010).

‘theMP3carrieswithinitpradphilosophiderstandings...’,JonathaheMeaningransmission)(DukeUyPress,2012),p.2.

Chapter6:Ultrasoundandinfrasound

MaterialfromthischapterisfromVivienGibbs,UltrasoundPhysidTeology:Hohen(ChurchillLivingstone,2009),DaleEnsmingerandLeonardJ.Bond,Ultrasonidamentals,Teologies,andApplis(CRCPress,2011),TimLeightoicBubble(AcademicPress,1994),andGillianSalesandDavidPye,Ultrasoniunials(&Hall,1974).The2015batstudyreferredtointhischapterisPavelKoual.,‘BatsAdjusttheirMouthGapetoZoomtheirBiosonarFieldofView’,ProgsoftheNationalAcademyofSces2015,Vol.112,No.21,pp.6724–9.

Chapter7:Souerandunderground

MostteologidphysicsmaterialisfromXavierLurton,AnIntrodutoUidApplis(SpringerPraxisBooks,2010),M.A.Ainslie,PrinciplesofSonarPerformanceModelling(SpringerPraxisPublishing,2010),aJ.UriciplesofUerSound(PeninsulaPublishing,2013).BiologitisfromW.J.Ri,C.R.GreeneJr,C.I.Malme,andD.H.Thomson,MarineMammalsandNoise(AcademicPress,1995).HistoricalmaterialisfromRobertT.Beyer,SoundsofOurTimes:TwoHundredYearsofAcoustiger,1999).

Chapter8:Soundoutofplace

MostmaterialisfromMikeGoldsmith,Discord:TheStoryofNoise(OxfordUyPress,2012).CulturalreferencesarefromSmithandKarinBijsterveld,Meid:Teology,Culture,andPublisofweury(MITPress,2008).

‘iPoduseusefullybeied…’,MichaelBull,‘iPod:APersonalizedSoundWorldforitsers’,Revistaunicar,2010,Vol.XVII,No.34,pp.55–63.

OliverSacks’asisfromhisbookMusicophilia(Picador,2011),p.47.

‘ithdrawiesoundscapes...wemakestraher’,JamesHendy,Noise:AHumanHistoryofSoundandListening(Profile,2013),p.331.

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